All Posts

What can a small island teach us about the relationship between art and community? I love the Western Isles of Scotland. I have visited several islands over the years and have loved exploring with my family. It is the place I feel most in tune with the environment. I have just returned from a week on the Isle of Eigg, staying in a tiny shepherd’s hut, living out my best Maggie Scraggle bog witch life. I first became interested in the Isle of Eigg through its environmental act

For more than forty years Steve Dilworth has lived and worked on the Isle of Harris in Scotland's Outer Hebrides, developing one of the most distinctive sculptural practices in contemporary British art. Working with materials including stone, bog oak, bone, whale vertebrae, bronze, animal remains and found objects, his sculptures appear simultaneously ancient and contemporary, archaeological and visionary. Often discussed through ideas of myth, ritual and shamanism, Dilworth'

Image - Alice Fox Alice Fox is a textile artist whose practice is rooted in long-term engagement with landscape, sustainability and the creative potential of everyday materials. Working from her allotment and studio in Saltaire, West Yorkshire, Fox creates sculptural and textile works using found, foraged, gathered and grown materials including flax, bramble fibre, dandelion stems, bird’s nests, natural dyes and botanical inks. Her work emerges through sustained experimentati

Listen to the solarphones here https://drive.google.com/file/d/1LmjdV_2vxHf8zdl3V9cwzNG60XysA3_K/view?usp=sharing Chris Ruffoni is a composer, sound artist and educator whose practice explores listening, environmental processes and the relationship between sound, place and attention. Drawing on influences ranging from experimental music and Pauline Oliveros's concept of Deep Listening to direct experiences of landscape, Ruffoni creates installations that respond to changing e

At least once a year I try to disappear for a few days and walk somewhere on my own. No schedule, no expectations, just walking, observing and making art. Over time I’ve realised how important this kind of solitary travel is for my practice. When I’m alone, I can move at my own pace. I can stop whenever something catches my attention: a shift in the light, the sound of wind moving through grass. There’s no pressure to keep going for someone else’s sake. That freedom to slow d

Last week I returned from an MA residential in Sweden. Over all it was a really challenging experience. I still haven’t fully found the words to describe it and I am still actively processing the unexpected emotional rollercoaster of intensity. However, one thing I can be clear on is how stunning Sweden was and what a profoundly beautiful experience I had while drawing there. I was on Uspen Lake not far from Floda and the weather was crisp and icy, during the night temperatu